CCK09: On the difficulty of the Connectivist revolution.

This post is for assignment #1 for Stephen Downes and George Siemens Connectivism and Connective Knowledge course, 2009.

Connectivism represents a new way of knowing. But if it is correct, it is the way we have been knowing all along, and may not require a leap across an enormous gap to adapt to the new theory. Stephen Downes summarizes connectivism as “the thesis that knowledge is distributed across a network of connections,” which means learning “consists of the ability to construct and traverse those networks” (“What Connectivism Is”). This is a revolutionary thought, denying at once that a piece of knowledge is an object that may be transferred from one to another and that knowledge can be pinned down to representations of it in language.

In a world connected by the Internet, I think it is becoming increasingly clear that one facet of connectivism is true: knowledge is distributed across the network. This point by itself is easy to accept, but the broader point that knowledge does not rest in the heads of individuals is harder to, as we used to say, wrap one’s head around. In fact this metaphor of enclosing knowledge in an individual brain is not a connectivist metaphor. Instead, a knowledge-seeker must visualize connecting up with knowledge, or growing out into it. The edges of knowledge are not defined by the skull, but are rhizomatic and spread outwards to other nodes in the network (See“Rhizomatic Knowledge” article by Dave Cormier).

Some will make the transition to new connectivist metaphors, while others, especially those who are not deeply integrated into communities of practice with connectivists, will stick to traditional metaphors describing knowledge as a commodity they possess in their heads. Fortunately, I think it is possible to work and learn with people who do not subscribe to this theory. Even among those who do not believe in connectivism or have not become acquainted with it (including those who don’t think much about theories of knowledge), connectivist techniques may be applied in connection with them. What might appear to an uninitiated learner as a transfer of knowledge would be represented by connectivism as a new connection to a knowledge network. Certainly a teacher knowledgeable in connectivism will approach the task of teaching differently, but would a student unfamiliar with the theory recognize that their guide is more connecting them up to the nodes of their own learning network than transferring static knowledge? I think the experience would feel like “learning,” as the student has become familiar with. Not “learning” in the sense of getting drilled for recitation of “facts”, but authentic learning, complete with the feeling of connection to understanding and community.

Connectivism posits that knowledge is “subsymbolic,” below the level of language. Language is a system of reference to concepts in the network that allows users to communicate and build structures of that knowledge, but words do not refer to absolute objects of knowledge. Knowledge is personal, relative to one’s network connections and what one has become familiar with. The set of nodes they are connected to in a network graph determines their “perspective” and what knowledge is available for reference by language. The example, “Paris is the Capital of France,” only represents knowledge in that those who are connected to the concepts of states and their governments can use this referent to call up these structures that exist in the network between people. After all, even the borders of France are not things that exist in the physical world, but agreements between many who have connected to the concepts of sovereign states. Even without knowing connectivist theory, people are able to access this knowledge.

I’ll offer a final example to clarify why I think that while connectivism represents a large revolution in knowledge, but when classrooms and communities begin shifting to using connectivist theory consciously as they attempt to spread (grow rather than transfer) knowledge will not impose a difficult transition on those in the network who do not subscribe to the theory. It is the matter of the interpretation of artifacts of knowledge, such as a story in a book.

An author writes a text from his or her own perspective in the network, accessing concepts and referring to them with language that are shared in his or her community. It is inevitable that the text spreads beyond the author’s perspective, because even another node in the author’s network is connected to a different set of nodes than the author. As people with different perspectives access the text, they interpret its meaning into concepts they are familiar with (concepts in their network). When an author writes about learning, connectivists understand this reference differently than constructivists, applying the concepts of their own network to it. Thus, interpretation of a particular artifact is a shared phenomenon, but an individuals interpretation depends on their placement within the network. Familiarity with a particular set of perspectives colors an individuals interpretation of a knowledge artifact. When somebody who doesn’t believe connectivist theory applies their personal knowledge to a new artifact of knowledge, a connectivist would be able to read this as growth of knowledge (connections) in the network.

An example of this process occurred to me recently as I listened to a presentation on was the issue of queer identification with superheroes (University of Oregon Understanding Superheroes Conference, 23 October 2009). The presenter asked the question, “Is Batman gay?” She pointed out that there is no definite answer to this question. Many authors have approached the Batman character, portraying their own visions within the structure laid out by DC. Batman gets into some pretty hairy situations with Robin, but the question of the interpretation of his sexuality is typically outside the author’s conception and in the realm of interpretation by diverse networks of readers. The identification of “queer moments” in Batman depends on a reader’s connection to a network where that interpretation is familiar. Just as one would only be able to apply a Marxist analysis to an argument if one is familiar with Marxism and those who offer that perspective. Connecting is practice. By doing it, one grows connections (knowledge). Practicing connection enables pattern recognition, enabling wider variety of pattern recognition and interaction as learners expands their network. Adapting to connectivist theory doesn’t involve a drastically different form of practice than learners have engaged in already. For the most part, a connectivist understanding applies to the learning activity nonconnectivists do. Once people have adopted a connectivist understanding, however, they can tailor their practices to actively attempt to grow understanding in their network and expand their network toward people and perspectives that align with their interests and experience, reaping greater benefits.

The new way to listen to music is “on demand.”

I think there has been a change in how people experience music in the last couple years, brought on by the buildup of services that offer streaming songs. This follows up in the vein of the previous trend in music discovery, illegal downloading, which the music industry labeled “piracy.” The new streaming paradigm avoids the complications of piracy for most users, either through paid subscriptions, freely posted content, or  sponsored availability. When MySpace attracted a large community of artists, the best feature of each band’s profile page was instant access to a few of their songs. If you hadn’t heard of The Rosewood Thieves, who are playing tonight at the Doug Fir Lounge in Portland, figuring out what they are about is only a few seconds away. You can make your decision on whether to go to that show or not more easily with an instant streaming resource.

This sort of resource compounds its value when it proliferates. Youtube has a huge number of songs and music videos uploaded, including live performance videos. Services like Spotify (not available in the US), and the subscription option Rhapsody give users a wide vareity of licensed tracks to build playlists from. Blip.fm builds another layer on top of these streaming resources, by making social sharing of tracks effortless and fun without hosting most files itself. You can follow “DJs” on Blip.fm who play things you like; they build their own reputation and introduce their subscribers to new music at the same time.

So, first point: this is good for music listeners.

Despite not paying for the Thieves tracks you might listen to tonight on MySpace, their availability might translate into ticket dollars (or maybe CD sales) for a portion of their audience. This consumption, when it happens, is increasingly driven by informed choice, and less by marketing. More people listening to an artist’s tracks means more exposure. More discussion about them (even little bits, like the comments on some Blip.fm posts) builds buzz the same way an organized marketing campaign does.

So, second point: this may be good for artists on the whole. Some of this activity produces revenue directly for artists (like the subscription service Rhapsody.) Some of it produces revenue indirectly. Some of it produces no revenue, and may even potentially subtract revenue if a user that would have bought a CD doesn’t when they find they can listen to some tracks online for free.Research has for a while been indicating that this is not true.

Some of the listening over these streaming sources is not authorized by the copyright holders. For example, some of the tracks queued up on Blip.fm from wherever they are around the web (frequently they are Youtube videos) were not authorized uploads. The objection of a copyright holder to one of these tracks has to take the form of a DMCA takedown notice to the service where it is hosted, not to blip.fm, which only hosts authorized tracks itself. So even when a few tracks are rooted out, the service stays almost completely whole. Legality is questionable, but the industry may be forced to ride the wave anyway.

There is value in finding music that appeals to a certain individual. These tools increasingly make it possible for individuals to navigate the increasingly vast world of available music to find the artists that appeal to them personally. Predictive algorithms, like on Pandora or Last.fm help guess new music that might be appealing, but the best way to find out new music is to find out what people you know are listening to. Word of mouth. There is a huge variety of music available, so filtering mechanisms have become more important. Discovery of music in general is easy, but it is hard to determine whether you have discovered the “best” that there is. Radio used to be the most important filtering mechanism, but radio has not done very well in the Web era. Formats have become more and more standardized when users want more individualized choices. As curators of content, radio stations haven’t developed individual personalities or featured their DJ staff for their own personal tastes. Instead, relatively homogenized playlists are the norm. There are exceptions among college radio stations and independents like WFMU, but for the most part, radio is losing out to individuals in the area of offering individualized music choices. In their stead, individuals using services like Spotify and Playlist.com are sharing their own modern mixtapes. And users are enjoying it.

So, will the other side of the music industry, the record companies that have been suing music fans, be driven to come on board with an “on demand” paradigm?

Lifestream

http://bit.ly/cD1QCy Mmm.. Google Labs' new public data tool makes some cool animated graphs of some large datasets they're testing on.

Monday 21:03

RT @chrislehmann: "The More Open We Are, the Better Education Will Be. We must increase our opportunities to be generous." #tedxnyed (David Wiley)

Saturday 8:50

RT @MyEugene: Check out these little cuties! --> Hand-made electric cars serve a niche market in Japan http://ow.ly/1eNyE

Friday 14:41

I tweeted about media as a service last night and woke up to a new follow by @gleonhard who's been sayin this for a while. :) #followfriday

Friday 14:34

The future of E-Books Article's "geeky side note" on need for "url" for pub'd documents is what i've been thinking http://on.wsj.com/45nDMw

Friday 2:59

RT @jamtoday: Protesting the California Education Cuts: Across CA,  thousands of students and educators are protesting throughou... http://bit.ly/akIAw7

Friday 1:36

http://is.gd/9Co67 NYT sums up modern patents: “The net effect is that they decrease innovation, and in the end, the public loses out.”

Wednesday 10:14

RT @christianvonm: A la cama que mañana me tengo que levantar a las 3 de la mañana =S ... un abrazo a todos y ¡¡¡¡FUERZA CHILE!!!!

Monday 23:05

Re: http://is.gd/9tUm7 -- oh c'mon. NYT's Harwood ignored that Democrats didn't stick together to stand up against anything 2001-08.

Monday 23:01